18th century Wedgwood black basalt neoclassical vase. England. circa 1775
Elegant 18th century Wedgwood neoclassical black basalt vase. Signed, with impressed 'Wedgwood' mark. Jubilee exhibition label. height: 22.86 cm (9 in.) width/length: 10.16 cm (4 3/4) Price $1,600
Provenance: The Zeitlin Collection.
Note: Black basalt was a form of stoneware developed by Josiah Wedgwood in 18th century England. The name derives from the color black and the prevailng taste for Grand Tour, neoclassical objets and art.
Andrew Spindler Antiques, 163 Main Street, Essex, MA 01929 United States of America - E-Mail: firstname.lastname@example.org
Two Wegwood black basalt was sold at Christie's last january :
Two Wedgwood black basalt encaustic-decorated two-handled vases , circa 1780, one incised no2
The krater-formed vase decorated with red figures between key-pattern and leaf borders, the oviform example with bifurcated bracket-handles and bacchic mask terminals, decorated in red, white and black enamels with Etruscan figures below a band of anthemion on a key-pattern band, damages and repairs. 12 7/8 in. (32.7 cm.) high; and 16 7/8 in. (42.9 cm.) high (2) Est. £800 - £1,200. Sold £3,250 ($4,501)
Notes : The print source for these vases is P. F. d'Hancarville, Collection of Etruscan, Greek and Roman Antiquities from the Cabinet of the Honble William Hamilton, published in Naples in 1766-7. The subject of the krater vase is Hippothon, Antiochus and Clymenos, taken from the left hand side of plate 129 of volume I of the 1776 edition, used for the decoration of Wedgwood & Bentley's First Day's Vases.
Christie's. Lord St Helens And Sir William Fitzherbertthe Collections Of A Diplomat And A Courtier. 22 January 2009. London King Street www.christies.com
Some others résults for 18th century Wegwood black basalt neo classical from www.antiqforum.com
'Three Graces' Vase, 11½". Good cond. 1775, Jul'04. Skinner. $4,300
Basalt Vase and cover, 6 5/8". Perfect cond. 1775, Jul'04. Skinner. $3,100
Vase and cover, 11". Good cond. c1780, Dec'03. Sotheby's. $8,000
Vase, 5". Cover missing. c1775. May'00. Skinner. $740
Pair of Wedgwood & Bentley Vases, 3½". No lids. Handle damaged. 18c. Nov'02. Sotheby's. $750
Vase, 8". Cover missing. 18c, Aug'02. eBay. $1,050
Among collectors the term Old Wedgwood is taken to refer to wares produced before Josiah's death in 1795. Old Wedgwood is difficult to date. The first examination is of the piece itself. Old Wedgwood has a character of its own. It is finely crafted and just feels old. It is impossible to convey that quality in either words or photographs. The only way to gain an appreciation of the character of Old Wedgwood is to examine it, with the eye and with the finger tips. Take every opportunity to do so at shows and auctions.
The Potters Mark.
The next recourse is to the mark. Josiah started marking his production with his name in about 1759, impressing the name into the underside of the article with printer's movable type. The resulting mark was often uneven and sometime arced. In about 1769 he adopted the familiar mark with the name impressed from a single slug. the WEDGWOOD mark is found on useful wares between 1769 and 1781 and on all wares produced thereafter until the sans serif version of the mark was introduced in 1929.
WEDGWOOD and BENTLEY.
It was in 1769 that he formed two partnerships, Wedgwood and Bentley produced decorative ware with his good friend, Thomas Bentley. Their production is marked with one or the other of the several versions of the Wedgwood and Bentley mark. Useful wares were produced with his cousin, Thomas Wedgwood and bear the WEDGWOOD mark.
THE LETTER/NUMBER CODES.
In 1860 the Wedgwood factory started marking its wares with the date of manufacture impressed in each piece as part of a three letter code. The first letter of the code represents the month of manufacture, the second identified the potter who threw the shape and the last letter signifying the year the piece was made starting with 0 for 1860. The series was repeated 4 times. From 1907 on in the third series the first letter for the month is replaced by a 3 and with the fourth series commencing with A in 1924 with the figure 4. There is an area of confusion in wares in the first two series. For example TOT could mean a piece produced in either June 1865 or June of 1891. Commencing in 1929 the year mark is replaced by th last to digits of the year, 30 standing for 1930.
February, April, September, October, November and December are always show by their intial letter. June is always T and August is always W. In 1860-1863 March is M, May is Y and July is V. In 1864 March becomes R, May is M and July is L. In 1871 Wedgwood adopted pattern numbers with the code letter prefixes. I bought a small Queens Ware creamer at a flea market thinking from its style and shape to be quite old has the pattern number A1820 on its bottom. The impressed marks are badly filled in with the glaze and are almost obscured. The last figure in the three letter code is probably an O and the first two letters are impossible to read. Since the prefixed code was not introduced until 1871 I date the piece at 1886. www.thepotteries.org