A fine champlevé enamel and gilt-bronze baluster wall vase. Late Qianlong. photo Bonhams
Set to each side with applied archaistic gui dragon handles, the body of the vase decorated with raised archaistic champlevé enamel panels depicting confronted kui dragons contesting a flaming pearl, enamelled in a rich blue, turquoise, purple and yellow, the flat reverse pierced with a square aperture for attachment. 18.3cm (7¼in) high. Estimate: £15,000 - 20,000, HK$ 180,000 - 240,000
Provenance: A French private collection
A large cloisonné enamel and gilt-bronze jardinière, 19th century. photo Bonhams
Of bombé form, finely enamelled around the sides with a multitude of butterflies in flight amidst blossoming peonies and prunus, all on a turquoise diaper ground, with a ruyi-head border at the rim, the base and mouth with European gilt-bronze mounts. 74.4cm (29¼in) wide across handles. Estimate: £8,000 - 10,000, HK$ 95,000 - 120,000
A rare pair of cloisonné enamel 'Autumn' saucer-dishes, 18th century. photo Bonhams
Each dish with shallow rounded sides, the cavetto delicately enamelled with two butterflies in flight above sprays of bell flower, chrysanthemum and pampas, the sides with demi-flowerhead scrolls framed by bands of red enamelled rings below the copper bound rim, the undersides enamelled with foliate scrolls similarly framed by rings and the base with petal-shaped ringlets, all reserved on a bluish-turquoise ground. 8.6cm (3⅜in) diam. (2). Estimate: £6,000 - 10,000, HK$ 71,000 - 120,000
Footnote: The design of the present saucer-dishes closely resembles that of Yongzheng famille rose dishes. Compare a famille rose dish, Yongzheng mark and period, sold at Christie's Hong Kong on 30 May 2006, lot 1441. The superb craftsmanship required to execute the intricate design in cloisonné enamel in miniature proportions is most likely a result of a special commission and is also indicative of the Yongzheng period Imperial ateliers.
A rare pair of Imperial cloisonné enamel and gilt-bronze turquoise-ground scroll ends. Qianlong four-character marks and of the period. photo Bonhams
Each of waisted cylindrical form and surmounted by a slightly-domed top, finely enamelled around the sides with the individual four characters of the reign mark within white medallions, reserved against scrolling and alternately enamelled lotus flowers, the tops each with a full-faced five-clawed dragon against clouds. Each 5.1cm (2in) high (2). Estimate: £6,000 - 8,000, HK$ 71,000 - 95,000
A pair of famille rose Canton enamel 'hanging flower basket' wall vases. Early 19th century. photo Bonhams
Each with a central cartouche framed by a raised chased foliate border, delicately enamelled with tree peony growing amidst pierced rockwork, the first painted with a pheasant cock and hen on the grass and the second with a pair of birds perched on a tree bearing peach, all reserved on a blue ground decorated with leafy lotus scrolls, the projecting rim and underside similarly enamelled with lotus scrolls and a key-fret border, with a ruyi-head border above the splayed foot with interlocked floral bands and stylised petals, each suspended from a chased gilt handle formed of ribboned rings held from the tails of two confronted dragons, the vases when back to back form a complete hanging flower basket. 19.2cm (7⅝in) high (without handles) (2). Estimate: £5,000 - 7,000, HK$ 59,000 - 83,000
A cloisonné enamel ewer, 16th-17th century. photo Bonhams
Of octagonal form, rising from a high, spreading foot, the waisted neck set to one side with a slender, curving spout, and to the other with a high, curved handle, enamelled around the facets with a continuous meandering lotus with a classic-scroll border and upright and pendent lappets at the foot, with beaded, pendent ribbons on the neck, all enamelled in vibrant red, turquoise, blue, yellow and white, on a lilac ground. 29.7cm (11½in) high. Estimate: £3,000 - 4,000, HK$ 35,000 - 47,000
Footnote: Compare related cloisonné enamel ewers, attributed to the second half 16th century, illustrated in H.Brinker and A.Lutz, Chinese Cloisonné: The Pierre Uldry Collection, New York, 1989, pls.95 and 97.
A pair of cloisonné enamel and gilt-bronze double-gourd vases, 18th century. photo Bonhams
Each finely cast in the form of a double gourd, the compressed spherical lower body rising from a slightly splayed foot, the upper body tapering to a cylindrical neck, the mouth, foot and base in gilt bronze, both sections of the gourd enamelled with further patterned and multi-coloured gourds issuing from leafy stems, set against a turquoise blue ground, with a border of segmented florets at the foot, lotus scroll at the waist and ruyi-heads at the neck. 29.8cm (11½in) high (2). Estimate: £2,500 - 4,000, HK$ 30,000 - 47,000
A pair of famille rose Canton enamel saucer-dishes. Qianlong. photo Bonhams
Each painted at the centre with a large full-faced five-clawed dragon coiling amongst dense cloud scrolls within a wide yellow-ground border enriched with alternate bats and lotus, the underside with three dragons in mutual pursuit. 26cm (10¼in) diam. (2). Estimate: £2,500 - 4,000, HK$ 30,000 - 47,000
A famille rose Canton enamel 'Eight Immortals' bowl, 18th century. photo Bonhams
Finely painted around the sides with the Eight Immortals at ease within a garden setting, depicted with their attributes, all above a key-fret border at the foot, the interior painted with bunches of grapes issuing from scrolling trellises. 19.2cm (7½in) diam. (2). Estimate: £2,500 - 3,500, HK$ 30,000 - 41,000
A rare famille rose Canton enamel 'erotic-subject' snuff box. Qianlong. photo Bonhams
Painted on the hinged cover with a central panel enclosing a European lady surrounded by floral sprays against a diaper ground, repeated around the sides, opening to a hidden second hinged cover, revealing two finely painted scenes depicting European figures engaged in amorous pursuits, the principal compartment enamelled white with further floral sprays. 8.4cm (3¼in) wide. Estimate: £2,000 - 3,000, HK$ 24,000 - 35,000
Provenance: an English private collection.
Compare a related erotic box and cover, attributed to the late 18th century, from the J.Kugel collection, Paris, illustrated in M.Beurdeley, Porcelain of the East India Companies, London, 1962, Catalogue no.92, where the author notes that the box is in imitation of Meissen and following the German tradition, the base was frequently false, revealing an erotic scene when opened.
A cloisonné enamel and gilt-bronze shallow box and cover. Qianlong. photo Bonhams
Of hexagonal form with canted corners and surmounted by circular cover, enamelled around the exterior on each of the six sides with a single lotus blossom against a deep blue ground and framed by archaistic turquoise scrolls, the lotus and scrolls repeated on the shoulders against a turquoise ground, the cover with a pair of dragons, all against a deep blue ground. 10.5cm (4in) wide (2). Estimate: £2,000 - 3,000, HK$ 24,000 - 35,000
An ivory and Canton enamel 'bajixiang' hand mirror, Qianlong-Jiaqing. photo Bonhams
The mirror painted on the reverse with a Xi character encircled by the bajixiang, Eight Buddhist Emblems, reserved on a turquoise cross-hatched ground, framed by a blue border with floral sprays, supported on a lotus green-stained ivory section above an ivory gourd raised on the gilt and blue handle. 27.1cm (10⅝in) high. Estimate: £1,500 - 2,000, HK$ 18,000 - 24,000
Footnote: Compare a similar hand mirror from the Stephen D. Winkworth Collection, illustrated in the Catalogue of the International Exhibition of Chinese Art 1935-6, London, 1935, Catalogue no.2200. See also a similar hand-mirror exhibited at the Victoria and Albert Museum, London, no.FE.54-1970.
A rare famille rose Canton enamel 'European-subject' panel, 18th century. photo Bonhams
Finely painted in soft famille rose enamels with a European pastoral scene, with a couple seated on rockwork by their son and dog in the foreground, with a European landscape and a further pair of toiling figures in the background. 10.8cm x 15.3cm (4in x 6in). Estimate: £1,500 - 2,000, HK$ 18,000 - 24,000
Footnote: The present panel bears relation to a group of similarly painted panels attributed to the Qianlong period, which are believed to have been tribute wares from Guangzhou.
The soft famille rose enamels and positioning of the figures within a pastoral setting is reminiscent of European water-colour paintings. Compare a repoussé-enamelled example exhibited in the Ashmolean Museum, Oxford illustrated by M.Gillingham, Chinese Painted Enamels, Oxford, 1978, Catalogue no.118. A very large repoussé plaque formerly in the collection of Mrs J. Clifford Roscoe, Yorkshire is illustrated by S.Jenyns and W.Watson, Chinese Art II, London, 1980, pl.112, where it is stated that such plaques would have been produced for the European market or the Yuanming Yuan, see ibid, p.152.
A cloisonné enamel and gilt-bronze hexafoil tiered box and cover. Qianlong. photo Bonhams
Cast in three sections, with a base, central compartment and cover, each enamelled with archaistic scroll work and ruyi-head motifs against a turquoise ground, 11cm (4in) wide; together with a rare cloisonné enamel 'puddingstone' vase, of gall-bladder form with naturalistic enamelling in imitation of the sedimentary rock, 19th century, 16.7cm (6½in) high (4). Estimate: £1,500 - 2,000, HK$ 18,000 - 24,000
Bonhams. Fine Chinese Art, 13 May 2010. New Bond Street www.bonhams.com