Photographs

Dennis Stock, Audrey Hepburn while filming "Sabrina", 1953. photo courtesy Phillips de Pury & Company Gelatin silver print, printed later. 18 7/8 x 12 7/8 in. (47.9 x 32.7 cm).  Signed in pencil on the verso. ESTIMATE $4,000-6,000 PROVENANCE Acquired directly from the artist Phillips de Pury & Company. Photographs. 16 April 2010. New York

American photographer and writer Robert Dodge explores the country that so affected his life Robert Dodge never served in the military or had visited Vietnam before 2005. But this baby boomer believes that this faraway country had a dramatic impact on this life. It was during the Vietnam War that Dodge was in high school and college. The intense news coverage of the war and its impact on American politics helped stir his passion for media and politics and led to his decision to become a journalist. After more than 25 years... [Lire la suite]

Andres Serrano, Interpretation of Dreams, 2001. photo courtesy Phillips de Pury & Company Dye destruction print. 18 7/8 x 15 1/2 in. (47.9 x 39.4 cm).  Signed, titled 'The Other Christ' and annotated 'AP-Model's print' in pencil on the verso. ESTIMATE $5,000-7,000 PROVENANCE Acquired directly from the artist Phillips de Pury & Company. Photographs. 16 April 2010. New York

Kim Joon, Birdland-Donald Duck, 2008. photo courtesy Phillips de Pury & Company Digital color coupler print. 47 1/8 x 47 1/8 in. (119.7 x 119.7 cm).  Signed, titled and numbered 4/5 in ink on an artist's label accompanying the work. ESTIMATE $6,000-8,000 Kim Joon, Duet-Fowl, 2006. photo courtesy Phillips de Pury & Company Digital color coupler print. 55 x 39 1/4 in. (139.7 x 99.7 cm).  Signed, titled and numbered 5/5 in ink on an artist's label accompanying the work. ESTIMATE $5,000-7,000 ... [Lire la suite]

Zhang Huan, My Boston #2, 2005. photo courtesy Phillips de Pury & Company Color coupler print. 40 x 80 1/2 in. (101.6 x 204.5 cm).  Signed, dated and numbered 7/8 in ink on a label accompanying the work. ESTIMATE $15,000-20,000 Zhang Huan, My Boston #4, 2005. photo courtesy Phillips de Pury & Company Color coupler print. 40 x 80 1/2 in. (101.6 x 204.5 cm).  Signed, dated and numbered AP 1/2 in ink on a label accompanying the work. One from an edition of 8 plus 2 artist's proofs.... [Lire la suite]

Joel Peter Witkin, Birth of 1982, NYC, 1982. photo courtesy Phillips de Pury & Company Gelatin silver print. 14 5/8 x 14 3/4 in. (37.1 x 37.5 cm).  Signed, titled 'Botticelli's Venus', dated and numbered 6/15 in pencil on the verso. ESTIMATE $3,000-5,000 Joel Peter Witkin, Penitente, New Mexico, 1982. photo courtesy Phillips de Pury & Company Gelatin silver print. 14 5/8 x 14 3/4 in. (37.1 x 37.5 cm).  Signed, titled, dated and numbered AP 1/4 in pencil on the verso. One from an edition of 15... [Lire la suite]

Diane Arbus, Identical Twins, Roselle, NJ, 1967. Gelatin silver print from A Box of Ten Photographs, printed later by Neil Selkirk. 14 3/4 x 15 in. (37.5 x 38.1 cm).  Stamped 'A Diane Arbus photograph', signed, titled, dated, numbered 19/50 by Doon Arbus, Executor, in ink, credit reproduction limitation and portfolio stamps on the verso. Estimated at $70,000-90,000. photo courtesy Phillips de Pury & Company NEW YORK, NY.- Phillips de Pury & Company announced the highlights of the forthcoming New York Photographs... [Lire la suite]

Marcos Bonisson, Quase Cambalhota, 1998. Photographie. 45 x 45 cm. Edition 12 + 2 EA. Courtesy School Gallery © Marcos Bonisson Olivier Castaing, Directeur de la School Gallery donne carte blanche à Alban de la Fontaine, commissaire d'exposition qui nous invite à découvrir l'univers singulier du photographe brésilien Marcos Bonisson.Le photographe et vidéaste Marcos Bonisson vit et travaille à Rio de Janeiro depuis plus de 30 ans. Né à Rio de Janeiro en 1958, il a étudié à l'Ecole des arts visuels de Parque Large de 1977 à... [Lire la suite]

Chez Marie Victoire Poliakoff par Ivan Terestchenko

Véronique Ellena, Le Lapin, 2008. Photographie couleur (tirage lambda collé sous diasec). 96 x 120 cm. Courtesy, Galerie Alain Gutharc, © Véronique Ellena. Dans les photographies de Véronique Ellena l'altération du vivant n'est pas encore visible. Elle va avoir lieu, sous une forme ou une autre mais ne nous est pas montrée. Il nous incombe de la deviner, de l'anticiper, de la saisir, de l'imaginer, ou, de la craindre et la redouter. Rien de baroque, rien de symbolique dans la composition de l'image: un fond, un support, un... [Lire la suite]